Globalization and Social Class in Aravind Adiga’s "The White Tiger"

Abstract

The novel “The White Tiger” by Aravind Adiga offers a scathing critique of India’s social class dynamics in the era of globalization. In light of globalization, this article will examine the complex interactions between societal institutions, economic pressures, and personal identities. Adiga illustrates the terrible reality that the impoverished endure through her protagonist, Balram Halwai, shedding light on the growing divide between socioeconomic strata that is made worse by globalization. The story illustrates how globalization is a dual force that drives inequality and development at the same time, exposing the differences in power and possibilities it produces. The journey of Balram from a meek driver to a crafty businessman represents the extent people would go to in order to flee persecution and poverty. The book explores the conflict between Western influences and traditional Indian beliefs, showing the identity crisis that many people face as a result. Adiga’s art offers a potent critique of the moral decay and the gap between the wealthy few and the underprivileged masses. This paper challenges readers to consider the ethical implications of a globalized society by highlighting the urgent need for societal transformation.